Robert Filliou in Rome Biennale Fluxus
Auditorium Parco della Musica in Rome presents an interesting exhibition about Robert Filliou, which is part of the activities of the Fluxus Biennial. The exhibition of the works by Filliou, is curated by Achille Bonito and opens to the public free of of charge from the 2nd of December to 15th of January, 2012.

Filliou’s work is intimately connected to words. He was a poet; despite his artistic work it covered a wider world than poetry. Considered an innovative and disruptive, his work marked by iconoclastic aesthetic interest to make art a permanent state of creation, where creation was the limit to the imagination.
The organizers invited the Italian artist, living in London, Londra Sandrine Nicolettato to the opening of the exhibition. The artist, who will perform one of her performance in which public participation is critical as an actor, showing an interesting redefining the proposal to transform it into an environment of social, physical and mental health.
Robert Filliou was born in Sauve, France, in 1926. In the mid-40 he moved to live in the United States and studied economics at the University of California. After his graduation, he worked in the United Nations program for the development of Korea. In the early 60′s, his life has a twist that will change his career and his way of thinking, to join a group of poets and artists who are beginning to question the system of domination imposed and seek through art, liberating look, far from the alienation of the consumer society.
Among those friends were the dancer and Romanian-born Swiss poet, Daniel Spoerri, whose real name was Daniel Isaac Feinstein, and was known as one of the most important figures of postwar art. Along with Spoerri made Piège à mots (1964), which corresponds to a visual montage that is part of everyday expressions of speech.
In 1962, he decided to join the stream of Fluxus art, is presented in the Misfits, London Festival, where he presented a device made from bicycle wheels as a roulette was organized with words for poems, which caught the attention and the attraction of the public who enjoyed writing ephemeral poems.
The Fluxus (a word which in Latin means flow), arises in the 60′s and covers all expressions of art and its main purpose is to refuse to look at art as a commodity. Its initiator was the Lithuanian George Maciunas, who defined it as the anti-art and includes all materials breaking all the existing categorization of art.
Between 1965 and 1968, Filliou installed an opened a space to create with George Brecht. This consisted of a workshop where artists and creators could attend to share all creative perspectives about the southern French city of Villefranche-sur-Mer.
during the 70’s, Filliou worked in various media, materials and forms of his work, including video works such as those in Canada. A piece of work with his own image that reproduces the codes of irony, so characteristic of Fluxus.
For more information http://www.auditorium.com/eventi/5095431
This exhibition is a good excuse to spend some wonderful days in apartments in Rome Enjoy your holidays shopping and trying the best Italian food in all the charming trattorias and restaurants.
Translated by: Hans
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Translated by: Maria







