Rome and the power of music in traveling and memory
A recently published study by Professor Hoyu Horoku in the journal of the Department of Psychological Phenomenology of the University of Portland has once again highlighted the long-standing debate about the unmatched power of music to get us out of the present and automatically lead us just as a Proustian Cupcake (remember the central role played by the famous Vinteuil sonat,a not only the relationship between Swann and Odette, but also in the heart of In Search of Lost Time), to revive a past with indescribable intensity.

According to the experiments of Professor Horoku, the reason to explain the surprising emotional power of music, which is able to transcend the barriers of time, would have to do with the same part of our brain where the memories of the past are stored and read (on the medial prefrontal cortex) and acts as the central interface between music and memories and emotions. The results of the investigation does not appear to contribute much to those made in the past by Professor Peter Janata at the Mind and Brain Center at the University of California, regardless of the potential applications in patients suffering from diseases such as Alzheimer’s disease, that may receive assistance through digital lists custom music playlists, which add much less light to the phenomenon than the descriptions provided by writers, thinkers and artists throughout history.
Indeed, such things as the above description of the Proust Vinteuil sonata, effect of the Pythagorean notions about the vibration of the bodies and the music of the spheres, or the actual string theory in contemporary physics seem to approach in a much more seductive, rich and nutritionally way the essential enigma.
Anyway, one of the most evocative , refreshing whimsical and nostalgic seductively published albums last year was Rome, an album in which the renowned musician and producer Danger Mouse, aka Brian Murton, and Italian soundtrack composer Daniele Luppi, have distilled after five years of work spent in the most extreme secrecy, their love for Italian films music of the of the sixties and seventies to work closely with musicians who played the original scores of Ennio Morricone (the most celebrated composer of a short list that included such notable artists as Piero Umiliani, Piero Piccioni and Bruno Nicolai) recruiting for the cause the talents of Norah Jones and former White Stripes member Jack White.
Rome was recorded using technology of the time at which it pays tribute to at the Forum studies in the Italian capital, located in an old church where in the past the above mentioned Italian composers worked, whose music is closely related to childhood memories of Luppi and perhaps to a lesser extent, Danger Mouse.
This record makes it particularly suitable to illustrate the connections between music and memory, and a soundtrack is hard to beat when you think about renting apartments in Rome
Translated by: Marc
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